Thursday, March 11, 2010
These Belong Together...
Wednesday, March 10, 2010
"I Was" Series
I was going to tell you.
Not the time you tried to ask.
I was going to tell you.
She (I?) convinced me you should know.
I was going to tell you.
Because I love the way you feel.
I was going to tell you.
Because your smile's like the sun.
It doesn't make my heart melt.
(But makes the ice around it start to run.)
I was going to tell you.
Was going to give it to you straight.
I was going to tell you.
But it will have to wait
Until it is no longer true.
And then when all its color
Has faded into blacks and blues
I'll still refuse to tell you
Because I hate to lose.
Getting Better
I was getting better.
It took me way too long.
I was getting better.
Things didn't feel so wrong.
I was getting better.
But it got obvious so
You killed it.
Now it's dead.
You say you want me happy
And in a way I think that's true
But unless it's happiness on your terms
You've made it clear you won't approve.
I was getting better.
Both in myself and in the world.
I was getting better.
Glee had been unfurled.
Its colors were so stunning
It shone both light and dark.
I was getting better.
Now everything is stark.
I was getting better.
But now I've lost my way.
I was getting better,
I breathed deeper every day.
The air was clear, cool and sweet.
The ground smoothed out beneath my feet.
Everything was better.
Then you pushed.
I fell.
Defeat.
Wednesday, March 3, 2010
Sleep is for the weak.
Sleep is one of my favorite things in the entire world. I have a habit of sleeping too much, because I have epic dreams that I enjoy participating in. Being in a world where violence of epic proportions is acceptable, painless, and generally non-fatal is pretty fricking sweet. Everything is technicolor and simple and accessible and controllable. Interpreting dreams is one of my favorite past-times, not because I think dreams themselves can tell us anything, but because I think that what we think our dreams are trying to tell us is incredibly indicative of what's actually going down in us. Never would I ever seriously ask someone to interpret one of my dreams for me, because I would get an interpretation of their inner-state instead of mine. Once upon a time I wrote down a dream and coupled it with an interpretation. About a year later I stumbled across the dream and started interpreting it before I got to my old interpretation. They were black and white different. Try the same yourself. I can tell you for shizzley that your interpretations will not match unless you do not change as a person, in which case...I'm sorry.
RAMBLING.
POINT: I don't just love sleep because I love dreaming or because it is invigorating or because it's healthy...I love sleep because of what happens when you DON'T. I think it's cool that there's a dude who has gone 35 years without sleeping. Not sleeping kills some people, but he makes it work. I dug The Machinist as much as the next gal and I fricking love the questions it raises. How badly do we need sleep, really? What brings on sleep deprivation? If we don't sleep will dreams start to overwrite reality? Someone once told me that everything that people feel via drug use can also be achieved through sleep deprivation. I don't have a source for that one. HEARSAY.
We can go about this experiment however we want. If you want to overload yourself with caffeine, do it. If you want to pinch yourself whenever your eyes start to get heavy, sweet. If you want to hire someone to follow you with a horn (me! I need another job, yo), perfect. I'm going to go the natural route. I'm going to eat as natural of foods as I can, with as few preservatives and caffeine and unnaturally occurring sugars as is humanly possible in this day and age. A website just told me that people die from sleep deprivation. The record is 11 days. I don't plan on hitting that because spring break is only a week. Regardless, if you feel on the cusp of death, hit the sack. Holly will not be responsible for your untimely, sleepless demise. But I'm going to see how far I can push myself and you're invited to join. I will be starting on Friday.
Sleep is for the weak. Shun it with me.
Sunday, February 28, 2010
A Streetcar Named Desire
For the past month or so my every thought and action has been tainted by a certain fictional, manipulative, and very messed up someone known to the world as Blanche DuBois. She's an alcoholic and a smoker, she makes bad decision after bad decision and her need for constant and hearty approval means that every bad decision impacts the people she loves most as well. Of course, like everyone out there, she does have her redeeming qualities. She loves deeply, sees the poetry in the world where others see blandness or mire, and understands people in a way that many do not. Blanche DuBois is a character that I first fell in love with, then found myself hating but, finally found a kind of kindred spirit in her.
In the conversations I realized the play was a lot more relevant than I initially believed. I had trouble wanting to invite people to this play because, although it is a classic, it is not a pretty story. By the end Blanche has been driven insane and her sister's life in New Orleans, once imperfect but happy, is left in shambles. Of course my character's habits of drinking, smoking, cussing, and indulgence in casual sexual encounters, coupled with the rape at the end of the play also made it hard to invite family members. It is not exactly a "bring the kids" kind of production. However, once I was able to get over my discomfort with my family's ability to separate Blanche's behavior from mine, I started to find valuable tidbits of gold that were surprisingly applicable to my life that I would like to share with you, if you have the patience to indulge me:
There are two bits of monologues in particular that I would like to offer to all of you because of the incredible meaning I found in them. The first was actually cut from our production because it evidently did not have the same profundity for my director as it did for me, but I think it one of the most beautiful pieces of writing in the play. I have now realized that it is so meaningful to me because I missed this part of my father's death. The guilt that Blanche is here reproaching her sister with is a guilt that I have felt. Although everyone in my family says my Dad passed away quietly I have always gotten the very subtle impression that this part of his journey is one that I should not have missed.
"Funerals are quiet, but deaths- not always. Sometimes their breathing is hoarse, and sometimes it rattles, and sometimes they even cry out to you, "Don't let me go!" Even the old, sometimes, say, "Don't let me go." As if you were able to stop them! But funerals are quiet, with pretty flowers. And, oh, what gorgeous boxes they pack them away in! Unless you were there at the bed when they cried out, "Hold me!" you'd never suspect there was a struggle for breath and bleeding. You didn't dream, but I saw!"
The other monologue that is so meaningful to me is nearly at the end of the play where I have been cornered by my love interest. He has realized that I am not the moral pillar of "old-fashioned ideals" that I have painted myself as and is confronting me about it. Finally I cave and I tell him the truth. It is the second sentence in the following quote that I find the most powerful because it encompasses how I felt and acted after my Dad died. I didn't run around having sex with strangers like Blanche did, but I did find myself repeatedly ripping myself out of places before they could become meaningful. I found my protection in isolation by way of constant movement. I found the goodness in people by refusing to get to know them on a more than superficial level. It seems to me that it was the same for Blanche. Blanche found the goodness in people by only having physical relations with them. She had been hurt so badly by the loss the person who was most important to her in life that she couldn't sustain another relationship for years. She could only ping-pong her way through life, looking for happiness everywhere it wasn't and hoping that eventually she would find someone that could understand and fix her.
"Yes. I had many intimacies with strangers. After the death of Allan intimacies with strangers seemed all I was able to fill my empty heart with. I think it was panic, just panic, that drove me from one to the next, looking for protection in the most unlikely of places."
It's a good play. All y'all missed out if you didn't get to see it. We've been hearing really good things from everyone who has come so far, which is a lot of fun. Especially considering how much time we've put into the play. It's only been a month, but Blanche is a verbose little lady, and I have spent a LOT of time sticking her words into my head. :)
Sunday, January 10, 2010
No Fucking Pandas, No Fucking Pandas
Dream:
I came home, entering through the door in the entry way that leads out to the garage. It was early afternoon and sun was gently streaming through our small octagonal window. Small motes of dust spun lazily in the bar of sunshine, the only movement in all the house. No one else was supposed to be home.
In my room again, I heard a noise and saw a flash of color, like a red cloth being shaken out, in the hallway outside my door. Curious, I quietly walked out into the hall. There she was, mere feet away from me, a tall blond stranger with a large hooked nose and smallish chin. Her face was narrow and worn slightly with age; she was probably in her early 40s. She was folding a green towel. Showing no fear of embarrassment at being caught in a house where a murder had just been committed, she looked at me evenly. I stared back and asked why she had done what she had done. (Magic dream transition)
I broke down. I collapsed to the floor, dry sobbing as soon as the woman left. I almost wondered if I was faking the emotion at first, in an attempt to convince my family that the coldness they'd seen before wasn't indicative of what I felt on the inside. The door re-opened and there she was again, mask removed and the red muscle of her face accented by the new, deranged clown makeup she had started to apply to her face. There were two white diamonds painted around her eyes and her lips were painted a bronze that was eerily close in color to the red of the underside of her face. Smiling hugely, she picked up a small item she had left in the entry way and exited again. She was disgusting. I had tried to re-gather myself in her presence so she wouldn't think I was fazed, but without success. Already my eyes were pink and my hair askew from my pulling fretfully at it. She knew she had gotten to me, which made her trip to our house all the more succesful.
I made my way downstairs and curled up on my bed, but I couldn't sleep. Terrible images kept flashing through my mind, but not of the gore. The gore wasn't so scary as the fact that I had conversed with her like a normal human being. Her evil wasn' so bad as my receptiveness to it. I stood, mind alternatively sputtering and reeling, and began to walk up the stairs. Halfway up the first flight I stopped myself, grasping the handrail for support, and turned down again. I couldn't face my family.
"She probably has a key anyway."
There was no point in trying to get around it. We would just have to be very aware all the time. I felt like Job. I tore at my hair and my clothes and invisible tears flew down my face as my stomach twisted itself into terrible knots and my mind ran in useless circles. I was afraid in a way that I have never been in a dream and will hopefully never be in real life. I was convinced that she was coming back and would kill me in the same terrible way she'd done my grandmother and, moreso, I was still petrified of my initial friendliness with this lady. I was afraid of the implications that spawned and I was afraid that I wouldn't just die if she came and tore my face off. I would become like her, her unwilling (or perhaps enthusiastic) apprentice. God knows there's enough unrequited love in my life to start my killing spree if that's all it takes.
Still only screaming "no fucking pandas" I continued to run about my house, pulling at my hair and looking the very image of a crazy person as the rest of my family sat passively by. The only reaction I got from any of them was a general sense of disproval from my mother at my use of the f-bomb.
Monday, January 4, 2010
Poetry
Satisfied
Always on his lips:
After clearing a plate,
On a comfortable day,
Or as a conscious commentary
Regarding his untimely departure.
Now it reverberates within me.
My aching muscles, bruises, scrapes
Harmonize with a greater inner peace
And reconcile his word with
The feeling it encompassed then,
Encompasses now.
I am not he.
His feeling was undoubtedly different,
But I feel that much closer to him
Now that satisfaction laps at my skin
Like a tide slowly coming in.